It’s been an absolute pleasure to work with Modus, and it has been a huge eye opener, revealing just what high levels of work are possible from the best of boutique postproduction houses in the world.
Modus FX delivered over 150 shots for the film, including complex digital crowd shots, CG trains, environments and dramatic pyrotechnics.
Duncan goes on to say.
Digital effects are fast evolving, and Modus are redefining how and who film makers can rely on to have their visions achieved.
I would not hesitate to put them at the top of my list for my next film. In fact, I intend to.
Read the full article over on Digital Producer Magazine.